Teeka

Four characters, and a system that keeps them consistent

Client
Teeka
Sector
FMCG — confectionery
Role
Mo Group
Dates
Jan 2025 – Present

A mascot is a drawing. A character is a set of rules about how someone behaves.

The brief

Teeka is a confectionery brand — chocolate and sweets, sold to children and bought by parents. The brief was to build a complete character system for it: from visual research through to animated stories.

The hard part in children’s brand work is not drawing something appealing. It is consistency. A character that behaves differently in every piece stops being a character and becomes decoration, and children notice the inconsistency faster than adults do.

The idea

A mascot is a drawing. A character is a set of rules about how someone behaves.

So the work went past appearance into behaviour: what each of the four wants, how they speak, what they do when something goes wrong. That is what makes a reel recognisable as Teeka even when the product is not on screen.

The Teeka crew board: Tiko the dog, Kiki the cat, Bubi the rabbit and Choco the bear, each on a card with their name and defining trait beneath

Four characters, each given a trait rather than just a look: Tiko the dog is the curious explorer, Kiki the cat the bright creator, Bubi the rabbit the gentle heart, and Choco the bear is warm energy — and carries the chocolate, which makes him the closest thing the cast has to the product itself.

Development, not decoration

Each character went through development sheets and sketch exploration before being fixed. That stage is what makes the later consistency possible: expressions, proportions and silhouette are decided once, then held.

Tiko design system board: a character model sheet with turnaround views, face and cap close-ups, colour palette, and a profile card giving his role as the curious explorer

Tiko sketch exploration — hand-drawn passes searching for the silhouette before the model sheet was locked

The four are built to read as a group. Same construction logic, same eye scale, same weight of outline — so a lineup looks like one family rather than four separate commissions.

Choco development sheet — the bear resolved through the same construction rules as the rest of the cast

The part that is actually the work

Stories built around kindness, confidence and teamwork — and storyboarded properly.

Each reel is specified before anything moves: shot type, action, per-character dialogue in Arabic, on-screen text, timing to the second, music and SFX notes. Named episodes rather than generic clips — Bubi — Gratitude, Kiki — Character Advice, Tiko 01.

The storyboard system — six fully specified boards showing shot type, action, Arabic dialogue, timing, music and SFX notes for each scene

This is the difference between a brand that owns characters and a brand that commissions clips. The storyboard is where the story, the pacing and the dialogue get decided, and it is the document the whole production is held to.

A storyboard for Kiki broken into timed scenes across a ten-second reel

Storyboard to motion — boards set beside the finished frames they produced

What shipped

Four original characters with development and sketch sheets, a storytelling system built on three themes, twenty-one storyboards, and eleven finished animated reels — with the Arabic scripting and timing specified board by board.

Motion

The four Teeka characters together in the playroom set, tidying toys into a shared box
Choco the bear sharing sweets from a branded Teeka tube with Bubi the rabbit
Tiko the dog following a map across the playroom floor, a single-character story beat
Choco the bear and Tiko the dog building a block tower together, the teamwork theme in one scene